Rachael Hewer

Rachael Hewer

“Five stars for Die Zauberflöte, Metropolitan Opera, New York”

Financial Times

“Both highly imaginative and endearingly simple”

New York Times

“Ingenious”

The Guardian

“What did you achieve during lockdown? If the answer isn’t “built my own film studio and green screen in the garden shed” then you’re not Rachael Hewer, the young director behind one of lockdown’s most ambitious arts projects yet”

The I Paper

“…akin to Andrei Tarkovsky”

Broadway World

“…Rachael Hewer’s production is quite simply a masterpiece”

The Scotsman

“…expert work of Director, Rachael Hewer”

The Observer

“Ingenious”

The Stage

“Rachael Hewer, a director harbouring so much flair and imagination”

Planet Hugill

Royal Philharmonic Society Awards

The South Bank Sky Arts Award

International Award For Young Opera Directors

“When all this is over and we are in opera houses again, this astonishing piece will be held up as an example of creative excellence”

Bachtrack

“one of the most successful online operas I’ve come across … it’s a remarkable, polished achievement”

The Guardian

“a brilliantly pertinent piece of work”

The Times

“Visually playful”

The Observer

“an extraordinary inaugural production, a tour-de-force of technical wizardry and artistic excellence … it is perfectly judged, its impact akin to Andrei Tarkovsky's celebrated closing sequence in Andrei Rublev - and praise doesn't come any higher than that”

Broadway World

“it’s so profoundly beautiful and heart-warming”

Camden New Journal

“the deeply embedded stagecraft of theatre company Complicité to make this an evening to remember.”

The I News

“A mesmerising spin on an old classic”

The Independent

“scrupulously directed Rachael Hewer, there’s a lifetime of wit, wisdom and theatrical audacity distilled in this inventive peach of a show … Opera is seldom as funny”

The Guardian

“tears up the rule book and re-invents the opera for today”

The Express

“Rachael Hewer directs a vibrant production”

The Irish Times

“In these aspects of design and narrative, Hewer’s production exemplifies the concept of Gesamtkunstwerk that appealed to Wagner (who wrote his own libretti), emphasizing unity of drama, music and visuals.”

The Irish Examiner

“Rachael Hewer did a very skilful job of keeping a generally static story interesting and dramatic, with an eye for comic touches in a story that’s not short on gloom”

The Irish Mail on Sunday

“Director Rachael Hewer’s approach is refreshingly straightforward; she allows the opera’s narrative to speak for itself, resisting the urge to impose any heavy-handed meta-narrative … a captivating, triumphant debut”

Bachtrack

“a surrealist delight, packing a comic punch"

Bachtrack

“Colin Matthews’s luminous new opera opens Aldeburgh in fine style”

The Guardian

“a beautifully coordinated work, craft and musical ingenuity, easy to admire, with a hint of ambiguity thrown in too”

Thoroughly Good Classical Music

“Rachael Hewer’s production, ingeniously elucidated the complexities of the opera”

Barry Millington

“Rachael Hewer’s stage direction is exemplary”

Times Literary Supplement

“the clear direction by Rachael Hewer sharply clarifies the interactions”

The Telegraph

“Rachael Hewer’s staging makes the divisions between real life and theatre crystal-clear with a revolve stage”

The Times

“an exceptionally subtle and affecting take on Chekhov”

The Stage

“exemplary clarity in Rachael Hewer’s production”

Gramophone

Rachael was born in Grimsby, UK and trained at the Bristol Old Vic Theatre School.

She founded VOPERA – The Virtual Opera Project in 2020 and directed their film of Ravel’s L’enfant et les sortilèges, which won the South Bank Sky Arts Award for Opera, and the Philharmonic Society Award for Opera and Music Theatre. Rachael also won the Special Prize at the International Competition for Young Opera Directors in Moscow, 2018.

Recent engagements include productions at Aldeburgh Festival, Irish National Opera, Dutch National Opera, Royal Academy Opera (London), English National Opera, Metropolitan Opera, Glyndebourne, Bergen National Opera and Opera Holland Park.

Other work includes productions at Garsington Opera, Buxton Opera Festival, Royal College of Music, National Opera Studio, Sadler’s Wells, London’s West End, The Royal Shakespeare Company, Theatre Royal Bath, Soho Theatre as well as extensive television and film work; including for the BBC, ITV and Sky.

Forthcoming productions take her to: Glyndebourne, Theatre Basel, Grand Théâtre de Genève and Irish National Opera.

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